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The gods are about to unleash the dawning of a new age in Grand Gaia! Brace yourselves for more exciting adventures coming our way! To give way to NEW updates, a scheduled Server Maintenance will take place on September 28, 22 00 PST and is expected to last for approximately Ten [10] hours. 日本時間で 9/29（火）15 00 - 9/30（水）01 00 Please check below for the updates included in this maintenance Game Client Update 1.3.9 Raid Battle Optimization （レイドバトル関連） Quick Start multiplayer feature. Ability to skip field battle encounters. Shortened harvesting. Synthesis of items removed. Dedicated raid squad select. Improved multiplayer battle UI. クイック機能 ポイント移動時の戦闘が発生しないよう変更 採取の簡略化 レイドバトル中の調合を廃止 レイドパーティ枠を実装 カットイン仕様変更 Achievement （功績ポイント関連） Counter for Number of Missions needed to be cleared to unlock Special Challenges has been added. Achievement exchange hall allows for multiple trades of same commodity. New slider bar added for Exchange Hall rewards スペシャルチャレンジのために必要なミッション数を掲載 交換所で、同一の景品を複数交換するためのスライダーバーを追加 Unit Type.（ユニットタイプ関連） Guardian type "Def up, Atk down" specs updated to "Def up, Rec slightly down". Oracle type "Rec up, HP down" specs updated "Rec up, Def slightly down". ガーディアン：「防御アップ・攻撃ダウン」から「防御アップ・回復小ダウン」に変更 オラコォ：「回復アップ・HPダウン」から「回復アップ・防御小ダウン」に変更 General Game Optimization （一般的な仕様関連） Switch Display button added to view multiple illustrations for select units. Energy overflow when refilling with gem. Improved UI for sphere crafting and battle status. New shortcut buttons to Achievement and News screens. Leveling up refills raid orbs. Ability to start Quest without Summoner Helper. 複数イラストのあるユニットに対して、表示切り替えボタン追加 ジェム使用の際、スタミナオーバーフロー対応 スフィア装着時のステ画面の修正 ホーム画面に功績ポイントとニュースへのショートカットボタンの追加 レベルアップ時にレイドオーブも回復する仕様に変更 フレンド（助っ人）を選択せずにクエストに行けるように仕様変更 Various bug fixes. その他、細かなバグ等の修正 Other Content Updates （その他のコンテンツのアップロード） Grand Gaia Chronicles 12 Guardians of the Gods (Part 2). SP Challenges will receive rewards enhancement. Please note that Accumulated Challenges will carry over. Challenges accepted before the maintenance will not be affected. Old rewards will be obtained. グランガイア戦記に「12 Guardians of the Gods (Part 2)※十二聖の後編」追加 スペシャルチャレンジの報酬内容の強化 ※メンテ前に受注していたものに関しては、旧報酬のままです。 Make sure to complete your dailies and avoid accessing the game during the maintenance phase to avoid account issues. Rest assured that the team will be devoting time and effort to finish the maintenance as early as possible. Regular and timely updates will also be provided via our official channels. Prepare and be ready for more amazing adventures in Grand Gaia!
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sorametter / 空目ったー Web http //www.sukechan.net/archives/75/ 自己紹介 Twitter で最近空目したものを発言します。作成：@yusuke0927 最近のつぶやき 新着記事は見つかりませんでした。
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PL/SQLの概要 PL/SQLの実行 SQL*Plus で実行したり、CやCOBOLプログラム中に埋め込んだりして実行 複数のSQL文を含むSQLブロックをブロック単位で一度に送信 アプリケーションとOracle間の通信料を削減でき、パフォーマンス向上 サポートするSQL文 select文・DML文・トランザクション制御のみ dbms_sqlパッケージ DDL・動的SQL文は、dbms_sqlパッケージによりPL/SQL内での実行が可能になる 動的SQL 表名・列名を実行時に指定することができ、DDL文内で利用する サポートするデータ型 Oracle Serverで提供するすべてのSQLデータ型をサポートする データベース表の各列の属性に対応する変数を宣言し、処理を行える データ型のサブタイプ ANSI/ISO・IBM型に対して、互換性を持たせるためのデータ型 PL/SQLエンジンの所在 サーバー側・ツール側の２通り サーバー側 ~ アプリがサーバへ送信・サーバー側で解析・プロシージャの実行後、同一サーバー上のSQL文エクゼキュータに送信 埋め込み型のPL/SQL実行プロセス：ＤＢトリガー・ファンクション・パッケージ ツール側 ~ アプリは同一サーバのエンジンへ送信・解析・プロシージャの実行号、サーバー上のエクゼキュータに送信 Developer Forms/Reports ストアドプロシージャ・ＤＢトリガー・パッケージ 共にPL/SQLエンジンへアプリが送信するものはPL/SQLブロック PL/SQLブロックの構成 宣言部・実行部・例外処理部 宣言部 DECLARE以下 スカラー型・コレクション型（複合型）もサポート 変数・定数の宣言 配列・表・カーソル・プロシージャ・関数の定義 実行部 BEGIN以下 記述が必須 SQL文を実行 子ブロックを挿入 例外処理部 EXCEPTION以下 実行部での例外処理を記述 終了の記述は END; コメントアウト 一行のみ -- 範囲指定 /* */ 宣言部 変数・定数の命名規則 ３０バイト以内 先頭は文字 予約後は不可 名前の優先順位 SELECT 文・WHERE 文では、列名＞変数名・定数名＞表名 INTO 句などのように列を指定できないものには、変数名 変数の宣言 変数名 データ型 [ not null ][ ( =/default) 初期値]； not nullの場合には、必ず指定・複数の変数名を一度に指定できない 定数の宣言 定数名 constant データ型 ( =/default) 初期値; 宣言部でのみ一度だけ値を代入可能 ブール変数 変数名 boolean ; AND / OR / NOT を使用して true / false / nullのいずれかがが入る LOB型の取り扱い 一つの表の複数列に対して定義が可能 列にはLOBロケータのみが格納 CLOB / NCLOB / BLOB / BFILE システム環境変数の取得 select USER / SYSDATE from dual; バインド変数 SQL*Plus環境でバインド変数を宣言すると、SQL*Plus内及びPL/SQLの複数ブロックで参照可 SQL*PlusからSQL文及びPL/SQLブロックへ変数を受け渡す時に使用 SQL*Plusでの宣言 variable バインド変数名 データ型 SQL*Plusでの表示 print バインド変数名 PL/SQLブロック内で、バインド変数を参照するには、変数名の前にコロンをつける 変数名 = 右辺 ; dbms_outputパッケージ dbms_output.put_line ( ); 括弧内にSQL*Plusのバッファより出力するデータを指定 PL/SQLブロック内でバインド変数などを取得して表示できる SQL*Plusでは、set serveroutput on を指定する必要 複合データ型の宣言 索引付き表 type 表名（型） is table of データ型 [not null] index by binary_integer; 作成表名 表型; ＜ 索引付き表の宣言 → サイズ制限なし レコード type レコード名（型） is record ( フィールド名 データ型 [not null][ =式], .... ) ; レコード変数名 レコード型; ＜ フィールドを持つレコードの宣言 索引付き表のメソッド 変数名.メソッド[(n[,m])] delete(n,m) / exists(n) / count / first / last / prior(n) / next(n) / trim レコードの索引付き表 ＤＢ表のような２次元表が型として定義可能 １．レコードの宣言（表の列定義に対応） ２．表型を宣言したレコードの集まりとして宣言 ３．２次元表名 レコードの索引付き表型; の形で宣言 %TYPE属性 ＤＢの列定義・以前に宣言された別の変数の型を参照できる 利点 参照先が未知の時や変更された時・複数を宣言する場合など 表の列の属性を指定する場合 表名.列名%TYPE 第n行のある列の属性を指定するには、２次元表名(n).列名%TYPE not null は継承しない %ROWTYPE属性 ＤＢ表から選択された行・レコード型のフォーマットを参照できる 第n行の列定義を指定するには、２次元表名(n)%ROWTYPE not null は継承しない 実行部 変数への代入 左辺 = 右辺 データ型が同じ 或いは互換性がある必要 右辺には、変数・定数・値・式・SQL関数の記述が可能 select文を使用した変数への代入 select 列名１,列名２,列名３ into 変数１,変数２,変数３ from 表名; 単一行が返る場合のみ 複数行が返る場合はカーソル処理 ＤＭＬ文の実行 ＤＭＬ実行時に処理対象が存在しなくても、エラーにならずにそのまま進行 暗黙的変換 明示的に変換を行った方がパフォーマンスが良い システムのオーバーヘッドの発生 char / varchar2 との変換は、どの型にもどの型からも相互変換可能 long へは、rowid型から変換できない long が変換可能なのは、char / varchar2 / raw のみ number と bin_int と pls_int は相互に変換可能 明示的変換 SQL変換関数による明示的変換 number - to_char, to_date date - to_char char - to_number, to_date RAW型は、16進数へ変換しchar型へ格納 rawtohex - hextoraw ROWID型は、char型へ格納 rowidtochar - chartorowid 制御文 ループやカーソル処理を行える decode / dump / vsize / グループ関数などは使用できない 分岐制御 IF 条件 THEN 処理 ELSIF 条件２ THEN 処理２ ELSE 処理３; CASE 変数名など WHEN 値 THEN 結果; WHEN 値２ THEN 結果２; ELSE 結果ｎ END; CASE WHEN 条件 THEN 処理; ... ELSE 処理ｎ; END; 条件において、等号は「=」であって「==」や「 =」は使えない 反復制御 LOOP EXIT WHEN 終了条件; 処理; END LOOP; LOOP IF 条件 THEN EXIT; END IF; 処理; END LOOP; FOR カウンタ名 IN 最小値 .. 最大値 LOOP 処理; END LOOP; FOR カウンタ名 IN REVERSE 最小値 .. 最大値 LOOP 処理; END LOOP; FORループにおいて、REVERSEであっても最小値が先 小数値を入れた場合、小数第一位で四捨五入される WHILE 条件 LOOP 処理; END LOOP; 反復制御に関するカウンタ名は、宣言部で変数宣言をしてはいけない ( bin_pls型で自動定義 ) [ ラベル名 ] をループ前に、END LOOP ラベル名;で終わると、ネストループが可能 カーソル 結果セットへアクセスするためのポインタ カーソル属性はSQL文で使用できない 結果セット select文によって選択された行の集合 明示カーソル 宣言・オープン・フェッチ・クローズを明示的に行う select文で複数の行を参照する場合にも使用 ＤＭＬ文は指定できない 宣言：cursor カーソル名 is select文; 行名 カーソル名%ROWTYPE;~ オープン：open カーソル名; フェッチ：fetch カーソル名 into 行名; クローズ：close カーソル名; フェッチでは、行より一セット取得のみ、ループで実行させる 明示カーソルのロック for update [of 列１[,列２]] [nowait] 宣言部のselect文の最後 order by - よりさえも後に記述 カーソル範囲の行をロックし、ブロック内での更新・削除の間有効 他のトランザクションによりロックされている場合、nowait指定であればエラーで停止 where current of カーソル名; 実行部のupdate文・delete文の最後 必ずfor update句の宣言が必要 ※lock table文で表を指定すると、表全体をロック可能 明示カーソルの状態 %NOTFOUND fetch実行時に、取り出す行がない場合 true（例：exit when カーソル名%NOTFOUND） %FOUND 取り出す行がある場合 true %ROWCOUNT 取り出し行の累計 %ISOPEN カーソルがオープンしている間 true %NOTFOUND / %FOUND / %ROWCOUNT は、オープンしていない場合、エラー又は例外処理 %NOTFOUND / %FOUND は、オープン後、初めのfetch文まで false ２次元表をカーソルで回せば、DML文などで行を処理できる 行名.列名 カーソルFORループ カーソルを宣言部で宣言するのみ 行名宣言不要 カウント名はループ内での行名、%ROWTYPE属性となり行名.列名%TYPEで属性取得 パラメータ付き明示カーソル 宣言文にて、引数を指定できる （例：cursor カーソル名 ( num number ) is select) ただし引数のサイズは指定しない 暗黙カーソル 単一select行・ＤＭＬ文でカーソル取得 複数行返る場合・結果がない場合エラー又は例外処理 ＳＱＬカーソル SQL%NOTFOUND SQL文が行を取り出さなかった場合 true SQL%FOUND SQL文が行を取り出した場合 true SQL%ROWCOUNT SQL文が実行された累計 SQL%ISOPEN 常にfalse なぜならSQLカーソルは暗黙カーソルであるから 例外処理 例外の種類 事前（内部）定義例外 PL/SQLの使用として、事前に定義されている ユーザー定義例外 開発者が独自に例外を定義したもの 例外の宣言 宣言部で行う 例外名 exception; 例外の発生 実行部にて、raise 例外名; で明示的に発生可能 実行部で例外が発生した場合、例外処理部の例外ハンドラのルーチンで処理が行われる その時制御は例外ハンドラへ移り、制御はブロックを抜け実行環境へ戻る（実行部には戻せない） 対応する例外ハンドラが（OTHERSさえも）ない場合、実行環境にエラーを返す 例外処理の書式 WHEN 例外名１ [OR 例外名２] THEN 処理１; [WHEN OTHERS THEN 処理２;] エラー処理関数 処理中の例外についての情報は、SQLCODE 及び SQLERRM を参照 SQL文で直接利用できない為、予め宣言しておいた変数に代入して利用 SQLCODE (Oracleエラーコード) は number型 SQLERRM (SQLCODEに対応するエラーメッセージ）は varchar(n)型 例外が発生していない場合、SQLCODE = 0 ; ユーザー定義例外は指定なくばSQLCODE = +1 事前定義の例外 Oracle Server によって多数の例外が処理及びエラーコードに関連付けられている access_into_null / collection_is_null / cursor_already_open / dup_val_on_index invalid_cursor / invalid_number / login_denied / no_data_found / not_logged_on program_error / rowtype_mismatch / self_is_null / storage_error / subscript_beyond_count subscript_outside_limit / sys_invalid_rowid / timeout_on_resource / too_many_rows value_error / zero_divide エラーのユーザー定義 非事前定義例外の指定 OTHERS か 宣言 例外名 exception; pragma exception_init (例外名, エラーコード); エラーをユーザー定義＆発行する raise_application_error (エラーコード, エラーメッセージ); その時、もし非事前定義が定義されていれば、そのエラーコードで例外処理 もしくは、raise で例外を発行して例外処理 例外参照するブロックの例外処理部では、通常通り WHEN文 ユーザー定義例外で使用できるエラーコードの範囲は、-20000 〜 -20999 ブロックのネスト ネストブロック 実行部・例外処理部で記述する「無名PL/SQLブロック」と宣言部で予め宣言する「ストアドプログラム」がある 子ブロックの実行が終わると、親ブロックの次の行へ 例外処理は、親方向へ処理できるまで受け渡す ただし例外発生時点で終了 グローバル変数とローカル変数 親ブロックで宣言された変数をグローバル変数、それ以外をローカル変数と呼ぶ ループで使用されるカウント名は・・・・ グローバル変数とローカル変数が同名の場合、ローカル変数が優先 ストアドプログラム 呼び出し可能な名前つきのPL/SQLブロック・定義は宣言部（カプセル化）もしくは実行部・例外処理部に埋め込む ストアドプロシージャとストアドファンクションの２種類 ストアドプロシージャ：特定の処理の実行するストアドプログラム・パラメータを渡し返す ストアドファンクション：関数のように、パラメータを渡して値を計算するプログラム・return句で返値がある プロシージャの定義構文 procedure プロシージャ名 [(パラメータ名 IN / OUT / IN OUT データ型, ..... )] is ローカル変数の宣言 begin 実行部 exception 例外処理 end [プロシージャ名] ; プロシージャの呼び出し プロシージャ名 [(パラメータ名, ....)]; Oracleアーキテクチャ Oracleインスタンスの構成要素 SGAとバックグランドプロセス SGAの構成要素 最大サイズ sga_max_size 超えない範囲でlog_buffer以外を動的に変更可 共有プール・データベースバッファキャッシュ・REDOログバッファ 共有プールの構成要素 サイズ shared_pool_size データディクショナリキャッシュ・ライブラリキャッシュ・ロック データディクショナリキャッシュ 直近に使われたＤＤの表と列の定義・ユーザー名・パスワード・権限 ライブラリキャッシュ 直近に使われたSQLの実行計画・解析ツリー・PL/SQL文の解析及びコンパイル済み情報 サーバープロセスは共有プールのライブラリキャッシュとＤＤキャッシュを使ってＳＱＬを解析 ある文の実行計画が他の文の実行計画に置き換えられる前に問い合わせを再実行する場合、サーバープロセスは文を解析する必要が無いので、アプリケーションのパフォーマンスは向上 データベースバッファキャッシュ サイズ db_cache_size 直近に使われたブロックのコピーを格納 db_keep_cache_size / db_recycle_cache_size により複数のバッファプールを構成 再利用される可能性が高い（低い）オブジェクトのデータブロックを格納するＤＢバッファキャッシュ db_nK_cache_sizeにより非標準ブロックサイズを指定 ( 2k/4k/8k/16k/32k ) REDOログバッファ サイズ log_buffer Oracle データベースの構成要素 データファイル・REDOログファイル・制御ファイル 初期化パラメータファイル・パスワードファイル・アーカイブREDOログファイル 問い合わせ 解析・実行・フェッチのフェーズを経て処理される ユーザープロセスはサーバープロセス ( Snnn ) に問い合わせ 以下はSnnnが主体 解析フェーズ 文の妥当性をチェックし、共有プール内でコンパイル、ユーザーにステータスを返す 実行フェーズ ＤＢバッファキャッシュから必要なブロックを探し、見つからない場合データブロックから直接読み実行 フェッチフェーズ 結果を順次、ユーザーへ返す ＤＭＬ文の流れ １．解析フェーズを終えた後に、変更の対象をロック ( ビットマップでは全体をロック ) ２．変更時には変更前後の値がREDOログバッファに記録される ３．変更前の値はUNDOセグメントに保存される ４．元データを新データに更新 delete 文が実行された場合、変更前の値として削除前の行が格納される insert文が実行された場合、変更前の値として場所情報 ( ROWID ) のみが格納される トランザクションの終了 コミット・ＤＤＬ文 １．REDOログバッファにSCNとコミットレコードを書き込む ２．LGWRがREDOログバッファのエントリをREDOログファイルに書き込む ３．Snnnはユーザーに「コミット完了」が伝える ４．Snnnは、ＤＢバッファキャッシュに「トランザクション完了」と「リソースロック解除」を書き込む ＳＣＮ コミット完了毎に割り当てられる一意の番号 データの同期、読み取り一貫性を保証する内部タイムスタンプ
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Code Geass 7. Attack Cornelia Emcee Announcing. Prince Lelouch vi Britania, 17th heir to the royal Britanian imperial throne. Vassal I heard the Empress Marianne was killed inside of the Britanian Palace. Vassal There s no way terrorists could ve gotten in there. Vassal Which means that the real assassins must have been... Vassal Shhh. Beware, my friend. You ll regret it if anyone hears that kind of talk around the Palace. Vassal And yet the boy remains... even though his mother is dead. Vassal It s over. And the Ashford family who stood behind them is finished as well. Vassal And his sister, the Princess? Vassal We understand she was shot in the legs. Vassal And that she lost her sight. Vassal Blindness caused by trauma though, isn t it? Vassal No difference. Now she can t even be married off for political gain. Lelouch Hail, Your Majesty. My mother the Empress is dead. Charles Old news. What of it? Lelouch What of it? Charles You sought an audience with the Emperor of Britania simply to inform me of that? Send the next one in. I have no time for these childish games. Lelouch Father! Royal Guards Yes, Your Majesty. Lelouch Why didn t you keep mother out of harm s way? You re the Emperor, the greatest man in this nation if not the world. You should have protected her and now you don t even visit Nunnally? Charles I ve no use for that weakling. Lelouch That weakling? Charles That is what it means to be Royalty. Lelouch Then I don t wanna be your heir. I give up my claim to the throne! Vassals Oh. Lelouch I m sick of fighting and scheming over who will succeed you, father. I ve had enough! Charles You are dead. Lelouch Eh... Charles You have always been dead to me, dead from the moment you were born. Who gave you the fine clothes you wear, a comfortable home, the food you eat, and your very life? All of those, I have given to you. In short, you are nothing to me because you have never existed. Yet you dare to speak such foolishness to me? Lelouch Eek! Aaah! Charles Lelouch! You are dead. Therefore, you are not entitled to any rights. I am sending you and Nunnally to Japan as Prince and Princess you will serve well as bargaining tools. Lloyd It s a seventh generation Knightmare Frame, making its abilities far greater than normal... Cornelia I understand that the Lancelot s pilot is an Eleven. Lloyd That s correct, an Honorary Britanian. However... Cornelia I m promoting this man from private to warrant officer, that should satisfy him. I m trying to win without having to rely too much on the Numbers. Euphemia Those who risk their lives on the battlefield are the ones who deserve to rule. I understand the theory, sister. But still... Suzaku Sorry, you have to sit here watching me do my homework. Cecile Oh, don t worry about it. You ve never attended a regular school before, so it can t be avoided. Suzaku The guys on the Student Council are helping me, too. But... it s still hard. Cecile Hehehe. To be perfectly honest with you, I ve been a little bit worried. It s supposed to be a liberal school, but I was afraid you were fitting in well. Suzaku Me, too. I was expecting that. But I happened to run into an old friend there and he smoothed everything out for me. Cecile Be sure you never take that friend for granted. If your friendship continues, your reunion won t have been coincidence. It will have been predestined. Suzaku O.K. Cecile Anyway, please try one of these. Suzaku Thank you, I will. Cecile I d like your opinion of them. Suzaku There s... jam. Cecile Yes. I just happened to get some lovely blueberries. Lloyd Alright, everyone. Pack it up, pack it up. Well done today. Don t do anymore. Hip, hip, hurrah! That s all folks... haah. Suzaku Ah... Um... Cecile Go to school. Classes might be over for the day, but it s important to meet your friends and have a social life, too. Shirley Say, can I ask you something important? Kallen Uh-huh. Sure, what is it? Shirley Ah, Kallen, are you hiding something from us? Kallen Huh? Shirley If it s something too personal... Kallen No. What are you talking about? Shirley You can tell me. I promise I won t be shocked or upset. Uh well the thing is I happend to see you before. Kallen Um... Shirley Urghh, you re going out with Lelou, right? Kallen Lelou? Shirley The other day I saw you outside. Kallen Ah, no no no no. That was all his doing. Shirley His doing? Kallen No, wait! It wasn t like that. Shirley I don t get it. You were trying so hard to catch the cat before. Kallen No, that wasn t it. Besides it s not like we kissed or anything. Shirley Or anything? Then you stopped short of doing it? Kallen Will you quit imagining things? You don t understand the circumstances one bit! Milly But an arranged marriage is so... I understand how much you want to reestablish the Ashford family. But mother, it s just that... Nina Ah, I ve divided it! Darlton The Saitama Ghetto is now completely surrounded. The Yamato Alliance s hide out is located at somewhere in here. Half the people in this neighborhood are cooperating with them. So, if we proceed now... Cornelia What will be the effect on production? Darlton Primary sector output should decrease by 0.2% Cornelia Within expectations, you mean. All right. All of you here participated in the Shinjuku disaster. Is that correct? Subordinate Yes. And we re indebted to you Princess Cornelia for your mercy. Cornelia That s not what I m asking. Do you think the conditions are similar? Subordinate Huh? Cornelia To those in Shinjuku. Announcer Mlitary authorities report that they have surrounded the Saitama Ghetto, a known hiding place for terrorists. Viceroy Cornelia is also on the scene, and entry to that area is restricted. C.C. Hum-hum-hum. Oh, well? What has you looking so serious? Announcer It appears that a full scale assault will be launched in two hours. Consequently, power will be shut off... Staff News is one thing, but why are we broadcasting the start time? Diethart Because they are trying to provoke Zero. Cornelia Zero is a criminal with a flair for theatrical. I ve recreated the same conditions that existed in Shinjuku in order to draw him out. If he s the over-confident type, I predict he ll come here to try to kill me. Subordinate Viceroy, you d really risk your own life like this? Cornelia What you fail to understand is war is a strrugle between pride and life. C.C. You re not falling for the enemy s provocation? Lelouch They went to such trouble to invite me, though. Besides, there s something I d like to ask Cornelia personally. C.C. Destroying Britannia or discovering who murdered your mother, which is more important to you? Lelouch The two are of equal importance. The royal family members are competing with each other to see who will ascend the throne and become the next ruler. Or rather, they re being forced to fight by that man. C.C. But the very thing you hate is the same thing that makes Britannia strong. The royal heir who is best fit become the next ruler of Britannia is the last one left standing. Lelouch Exactly. The weak ones lose and they re cast aside. Britannia is that kind of nation. That kind of world. C.C. Survival of the fittest is the most basic rule of all. Lelouch If that s true, then what happens to Nunnally? Should I simply give up on my sister because she s frail? I refuse to accept that. I ll wipe out that sort of world myself. Suzaku (Humming) Kallen Like I ve said, there s nothing between Lelouch and I! Suzaku Lelouch? Kallen Anyway, that s how it is. There s nothing going on. Suzaku Huh? Um... where is Lelouch? Shirley I don t know where he is. And I don t give a damn! Suzaku Huh? C.C. You can t go, Lelouch. You need to fulfill your part of our bargain, so I won t have you dying before that. Lelouch Notice that what you re saying and what you re doing are contradictory. C.C. Oh, I won t kill you. I m merely going to shoot you in the leg to quiet you down. Lelouch Now I get it. You are unable to use Geass yourself, aren t you? C.C. (gasp) Lelouch I m not surprised. I suspected as much. You obviously wouldn t have ask me to do it if you could ve done it yourself. C.C. Do you honestly think you can threaten me with a gun? Lelouch Yes, I do. C.C. Huh. Lelouch Until I met you I was dead. An empty corpse existing behind a false guise of life, a life in which I did nothing real. Day to day, I merely went through the emotions of living as if I were a zombie. And I always had the feeling that I was gradually dying. If I m condemned to go back to that, then I d rather... C.C. Stop it. Lelouch Humph. C.C. I see now. It s life without meaning. And a life like that... Civilian Aaah... Civilian Oh, my God. Why the hell did you do that? Even children are here. What s going on? We haven t done anything. Soldier That s exactly why. The people of this ghetto refused to report the terrorists. You hide them, cover for them. That s treason against a suzerain state! Darlton We ve done sweeping away those in charge. Cornelia It s nearly time to set our plan motion. So shall we begin? Darlton Right. Attention all forces. Commence eradication of the Saitama Ghetto. Darlton All forces, assume No. 1 battle stations. Jeremiah I don t understand. Why won t Princess Cornelia order us to attack as well? Kewell ; She won t because Orange is here. Just be thankful that you haven t been disposed of. You re to blame for this. It s due to you that our careers are over. Jeremiah You re wrong. Zero s the one who did it. Kewell That again, humph. Villetta Zero. Could that student be working with him? Commander Suppression of area 4 complete. 8th and 11th mechanized infantry companies are sweeping north and south in a pincer movement. Lelouch Always the same. Cornelia replaces Clovis, yet Britannia never changes. Kightmare Pilot What unit are you from? Your unit name and ID, soldier. Lelouch Private Dario Torres[?], sir. With Third Reconnaissance Company. I obtained this item from one of the terrorists. Could I ask you please transmit it to headquarters for me, sir? Kightmare Pilot Disc, huh? Well, I still need to verify your ID first. Lelouch Right, understood. But before we do that, sir, I d like to borrow your Sutherland. So, hand it over. Kightmare Pilot Sure. No problem. Just take good care of it. Lelouch Thank you, I really appreciate it. Yamato member It s hopeless. Yamato member Can t we break through along the Saikyo Line. Yamato member They got armor blocking it. We can t use backroads, either. Any reinforcements from Akabane or Jujo? Yamato member One man might get through but not a group. Yamato member Izumi! Yamato member Damn. Any words of Toda or Kawaguchi districts? Yamato member Forget that. Listen! Yamato member Huh? Lelouch This, is Zero. Yamato member Zero! Yamato member Zero, you mean? Lelouch I assume all of you have heard about the Shinjuku incident. Do what I say, and you will be saved. Yamato members Ooh. B-12 Pilot B-12, suppression complete. F-7 Pilot F-7, no sign of the enemy. D-24 PIlot D-24, we are 87% complete. Commander Paladin team, change course to 5-1-6. Yes, my Lord. moving to 5-1-6. Sutherland Pilot No response at all. This guy Zero might turn out to be a no show. Sutherland Pilot Yes, he s just another run of the mill terrorist. Yamato member They came! They really came! Yamato member Just like Zero said they would! Lelouch Now then. Shall I drag Cornelia out, or should I make an opening? R-1, R-2, maintain distance. Draw them back to the area where N-2 is. B-7, open fire towards 2 o clock. P-5 s team will commence its barrage. Operator ** * team, contact lost. Operator Enemy spotted in district G-4-7. Operator Kuznetskii team engaging. They were ambushed. Operator The enemy appears to be using Sutherlands captured from our own forces. Subordinate Exactly the same as Shinjuku. Subordinate Has that ever been any sign of Zero yet? Lelouch N-2, continue towards the upper-right. R-4, fire. N-1, take the man on the left. Right. P-3, take out the bridge and close down the route now. Operator Point 1-7 has fallen. Hally team, contact lost. Cornelia That s enough. Order all troops to fall back. Further damage and casualties serve no point. Subordinate Fall back? Subordinate With all due respect, we can still fight them. Cornelia We can t fight them like this. Darlton? All forces, fall back behind Ghetto perimeter at once. Formation dosen t matter. Fall back behind Ghetto perimeter at once. Lelouch What? No stomach for it? If I blend in with the retreating units that d put me right next to Cornelia. Have I cleared the task at hand already? C.C. Heh heh. You can t fight your own blood, can you? But regardless, that type of person is dangerous. I wonder which path he ll take. I understand. Just who do you think I am, anyway? Shirley Hmm. So, Lelou lived here before this became Area 11, huh? Was he a neighbor? Suzaku Uh... what about yourself? Shirley Myself? I guess we re a lot alike in that respect. Honestly I didn t like Lelou at the beginning when I first met him. He gave impression that he was flippant, and only thing he worked hard at was avoiding hard work. Suzaku Ah. Shirley But back when we were both fleshmen, I happened to see him come upon a traffic accident. A driver rear-ended another car and was clearly at fault, but he tried to blame on the elderly owners of the other car. Nobody tried to help them. And then... Ah, Lelou didn t do it so he could boast to his buddies or laugh about it later. He did it with the same bored expression he always wears. That s when I wondered, "What s up with this guy? What goes on his mind? What does he wanna do?" I really wanted to know and in the process of finding out... Suzaku You fell in love with him? Shirley Huh, um... You think that what this is? Maybe you re right. Milly How dreamy it is to be in love. Oh, how I wish. Lelouch Cornelia, you re no match you ll lose. Cornelia Zero is no match, I ll win. Subordinate Huh? Darlton Of course. That s why we call Princess Cornelia the Goddess of Victory. Cornelia Shall we go, then, Guilford my knight? Guilford It is my pleasure to serve and obey you, my Lady. Lelouch Humph. Even with my Geass, the normal security makes it too risky for me to simply stroll in. I guess I ll have to create an opening as I did with Clovis. Hmm? Student Council room? I thought the Cat Festival meeting was scheduled for tomorrow. Shirley I know Kallen said I had it all wrong, but it seemed like she was getting upset in order to fool me. Suzaku Which is why in this case, it s best to simply ask him directly. On your behalf, I can ask him how he feels about you. Shirley What? You d really do that? Suzaku Just relax. It ll be fine. Shirley Are you nuts? No way! Lelouch Hm? Oh, whatever. Suzaku Aw, come on. Let me handle this for you. I ll be discreet. Shirley I don t want your help, okay? Suzaku It ll be fine. Oh! Cat Meeow! Suzaku Sorry. Shirley Ah... Suzaku Oooh! Cat Grrr. Shirley Uh-oh. Does that hurt much? Suzaku Greatly. Lelouch You re desperate, Cornelia, using your Royal Guard in such a manner. This is Zero. N-1 will reengage their IFF signal. Operate as a Britannian unit. N-1 Understood. Lelouch ... as my decoy. Darlton One Knightmare left transmitting an IFF signal within the city area. Subordinate Can t you contact it? Subordinate Scrabble the rescue team! Cornelia No, destroy it. Subordinate You can t! Subordinate He might be a captive of the enemy. Cornelia I ordered all troops to fall back. I have no use for soldiers who can t follow my orders. Darlton You heard the Princess. Subordinate But! Cornelia Do your duty even if it costs your life. My subordinates follow that code without question. Guilford At your command, your Highness. N-1 Hey! What re you guys doing? Can t you read the IFF signal? I m on your side! N-1 Damn it! Lelouch No confirmation? Well then.. N-2, transmit signal then fall back to the hospital ruins. R-1, R-2, hold your positions, fire only if attacked. Cornelia They ve transmitted another signal which means one thing. They ve set an ambush. Send in more Gloucesters and surround them. Lelouch They re not following? No, damn it! R-1, R-2, abort the ambush and fall back at once. Abort! Operator Gloucesters have arrived at the indicated area. No sign of the enemy. Cornelia He anticipated my move. It s possible we really are dealing with Zero himself. Lelouch P-2, N-3, circle around behind the enemy. What s wrong? Come in! P-2, N-3! Damn it! B-1, B-5, move in! B-1? Like hell! There s no way we can beat Cornelia s Royal Guards. That s a death sentence. I m out! Yamato member Hey, all we surrender. Yamato member We won t resist. Yamato member Spare us. Cornelia Kill them. Lelouch P-6, P-8, what s happening? Aargh! B-7, circle around and cover N-4. N-4 This is B-7. I ve got a prime target here. I ll take him out first. Lelouch No, hold fire! That s a decoy. B-7, that s an order! N-4 What d you mean? I ve got this bastard right in my sights! Lelouch Fall back! They ll strike from above. B-7, fall back! N-4 Aargh...! Lelouch Idiot! B-8, this is Zero. I want a status report now. B-8 Screw your status report! Aargh...! Lelouch B-8! Damn! Anyone who s left, report in from the P-group now. Commander Mission complete. All forces, take formation No.4. Lelouch Beaten as easily. But that s not how the game was supposed to go. Cornelia This didn t work out the way it did in Shinjuku, Zero. So, are you still masquerading as one of us? We ll discover who you are shortly. Lelouch This... This is what real organization can do. Cornelia Attention, all Knightmare pilots. Open your hatches and reveal your faces. Lelouch Ah. Cornelia! Cornelia Huh. I repeat, all pilots, open your hatches and show me your faces. Lelouch What do I do? If she gets me in a line-up without my mask, my identity will be exposed. That mustn t happen. Use my Geass? No, impossible. It won t work unless I look directly at them. The enemy is protected within Knightmares. That leaves the infantry and the other pilots. Forget it, they re too many of them. How do I turn this around? No, would that work? Show them I m Zero then use the power? But then the Knightmares. Maybe I can start shooting and break out of here? Impossible, against Cornelia s Royal Guard that would be suicide. Guilford Open your hatch. It s your turn. What s wrong? Hurry up and open your hatch. Lelouch Well, my hatch was damaged earlier in battle. Guilford I see, then we ll open it for you. Turn around. Well, come on!l Lelouch Yes, understood. At once, Sir. Soldier Zero s been sighted! Lelouch Hm? Cornelia Aha, I was right. Zero has a flair for the dramatic. Lelouch No way! Guilford Capture him! Platoon 3 and 5, stay... Image detected. Target confirmed. Lelouch I ll just have to play along.** Head around back. Sharpshooters, open fire!** He fell! Guilford Your Highness, how do you want us to proceed now? Cornelia Hmm. Any likelihood it s a trap? Darlton There s always that possibility. Especially since we don t know anything about this person, aside from the fact that he seems as prideful as you anticipated, Viceroy. Cornelia Then there s no point in chasing him. Darlton Correct. If he intentionally revealed himself directry to his enemy, he must already have an escape route already in place. Cornelia So self-preservation trumps all? Lelouch That s how Cornelia is. She s nothing at all like Clovis. Ah! Lelouch Why did you rescue me? C.C. I told you already. I can t have you dying. Lelouch I wouldn t have lost if the conditions were equal. C.C. You sore loser. If you re really that good, you should be able to set up conditions the way you want. Lelouch That s what I ll do then, I ll set them up. I ll raise an army that can t lose to Britannia. A people, a nation! Where and how can I find troops? Who will serve my army? If only I could ask Suzaku to join me... No, that ship has sailed, he s a Britannian soldier now. Even if he doesn t enter into the fray, he s still my enemy. Well then, I ll just have to choose.
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【Tags Gumi R YM tR】 Original Music title レゾンデートル頂戴 English music title Raison D etre, Please Romaji music title Rezon-Deetoru Choudai Music Lyrics written, Voice edited by YM Music arranged by YM Singer(s) Gumi (Megpoid) Click here for the original Japanese Lyrics English Lyrics (translated by vgboy / vgperson)： "A raison d etre" what is it? Me, I m just here And you, where is it you look, And what are you thinking? Hold on, look my way Come on, you must show me your face Even with such an attitude, Everything about you, I can t help but love I want that, and I want this, And love returned from beloved you, I want that too For greedy old me, what value s in that love? Could it just be for the sake of balance? I like myself, of course, But I don t feel admiration from any other Will it be fine once I fix some parts somewhere? Could I just get a faked look from you? Even if you re by my side... will it be okay? Love, if you please, Right to me, wherever you may be, I don t hear an answer, but... I cut myself open, open up my chest, And there s my heart, look, look at it It s beating for you... Crudely, playing on guitar, The sound I m making, a dirty one But still, I love So adorable, so charming... I want a reason to exist And when you won t even look at me, It would seem you ve grown to hate me so... To that I say... NO! NO! NO! NO! Love, if you please, Right to me, wherever you may be, To which you give a little nod I cut myself open, open up my chest, And right here on my heart, it s etched in My reason to be... Is it okay to imagine, to assume? About my future with you? Romaji lyrics (transliterated by vgboy / vgperson)： Sonzai-igi tte nani? Watashi koko ni iru yo Anata wa doko o mite Nani o kangaeteru no? Chotto, kocchi muite Chanto, kao o misete Sonna taido o shite mo Anata no koto ga suki na no yo Are mo hoshii kore mo hoshii Daisuki na anata no ai mo hoshii Yokubari na watashi ni sono kachi wa Tsuriau dake kachi wa aru no kana? Jibun no koto wa suki dakedo Hito kara sukareteru ki ga shinai Doko o naoseba iin desu ka? Anata ni furi-muite moraeru kana? Soba ni ite mo ii desu ka? Ai o choudai Watashi o zutto doko ni isasete Henji wa nai kedo Kirisaite mune hiraite Watashi no shinzou o mite mite Dokidoki shiteru no Zatsu ni hiiteru gitaa Kanaderu kitanai oto Dakedo, watashi suki yo Kawaisou de, itoshii Sonzai suru riyuu ga hoshii Anata ga mite kurenai nara Jibun no koto kirai ni narisou da wa Sonna no iya iya iya iya Ai o choudai Watashi o zutto doko ni isasete Anata wa chisaku unadzuita no Kirisaite mune hiraite Watashi no shinzou ni sazande Sonzai-riyuu o Souzou shite mo ii? Anata to no mirai
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【Tags H Rin mayuko tV】 Original Music title ハカマイリ English music title VISITING A GRAVE Romaji music title HAKAMAIRI Music Lyrics written, Voice edition by mayuko Music arranged by mayuko Singer(s) 鏡音リン (Kagamine Rin) The song is coupled with Len s リイマカハ(EVARG A GNITISIV) and mixed together by the author as 送墓唄(Song of Sending to A Grave). Click here for the original Japanese Lyrics English Lyrics (translated by blacksaingrain)： Shall we go around to lit the light of ghostfire to ears of silver grasses that took their last breathes? Dead bodies, dead bodies got dewy at night Here and there There are even no figures that bury them Let us go, taking uproar and tumult Though the mortuary at midwinter cannot even prevent the rain If you re on the way to go, I will take you there The hand is beckoning and the arms are folded Shall we hold it and and tie them by the bones of the neck of five inches? Stupid dulls who don t know what they need in return With thou, with you and with you bastard "I LL VISIT A GRAVE" There are sotoba blown by a gusty wind at tumulus They got broken and what they pierce are eyes of the dead bodies The eyes have been fallen and the hollows are left on the dead bodies, the dead bodies Where is it? Here is it Figures that seek and wander are here and there Let us go, taking uproar and tumultu) Though there is even no monk at the mortuary at midwinter If you re on your way back, please go alone by yourself By the time the sun is about to set at the time for disasters Beckoning and beckoning “Come over here” With thou, with you and with you bastard who went missing without destination (atedo mo yukue mo shirezu no anata to omae to kisama to) "I LL VISIT A GRAVE" My dear, your family s graveyard is Near a swampy place where frogs often croak Frogs croak with cracked sounds [Crying with a cracked voice,“want to go back, want to go back”] Down the lane, down the lane, down the lane, down the lane[Croak, croak, croak, croak] Shall we go back? A candy drop, an orb of a heart and this begging orb Shall I put them in a row and eat them up from the edge? Though they look different, far and wide, one and all Come here, come here, come this way The hand is beckoning and the arms are folded Shall we hold it and and tie them by the bones of the neck of five inches? I ll go with a stake in one hand I ll make thou, you and you bastard "VISIT A GRAVE" "GO TO THE OTHER WORLD" "VISIT A GRAVE" "JOINING US" "VISIT A GRAVE" What pulls at the sleeve by the time frogs are none is... [What pulls at the sleeve by the time without going back is...] Now, let us go to the spine-chilling door of the wailing and grieving of restless ghosts Romaji lyrics (transliterated by blacksaingrain)： iki no todaeta kareobana ni tomoshite megurou ka yuureibi yotsuyu ni nureta mukuro, mukuro achira kochira uzumu tame no kage wa mie mo senu gouzensouzen hikitsure mairou mafuyu no tamaya wa ame mo shinogenu ga yuki no michi nara otsureshiyou temaneki komanuku otete wo nigiri keikotsugosun de tsunagou ka? mikaeri mo shiranu guzudomo anata to omae to kisama to "HAKAMAIRI" kaze fukisabu tsuka ni sotoba heshi ore sasaru wa kabane no manako ochite kubonda mukuro mukuro dochira kochira sagashi samayou kage wa sokokashikoni gouzensouzen hikitsure mairou mafuyu no tamaya nya bouzu mo oranu ga kaeru michi nara ohitori de irihi no koroai oumagatoki ni temaneki temaneki "oide ya" atedo mo yukue mo shirezu no anata to omae to kisama to "HAKAMAIRI" omae-sama no gokakei no hakaba wa kaeru no yoku naku numachi ni chikaku kaeru kaeru naku shagareta koe de gero gero gero gero modorou ka? amedama kodama ni tougai kotsudama narabete hashi kara kuratte miseyou ka sugata wa tagaedo amaneku amanaku oide ya oide ya kochira e temaneki komanuku otete wo nigiri keikotsugosun de tsunagou ka? kuize wo katate ni mairou anata to omae to kisama wo "HAKAMAIRI" "ANOYOYUKI" "HAKAMAIRI" "NAKAMAIRI" "HAKAMAIRI" kaeru no naku koro sode wo hiku no wa saa kikokushuushuu no tobira e mairou
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LEGO Jurassic World 項目数 49 総ポイント 1000 難易度 ★☆☆☆☆ 各実績の攻略法 https //www.trueachievements.com/game/LEGO-Jurassic-World/achievements Welcome To Jurassic Park Completed Prologue 20 Remember to Wash Your Hands Completed a Dropping Rummage 10 Helping Hand Healed A Dinosaur 10 The Calm Before The Storm Completed Welcome To Jurassic Park 20 Bingo! Dino DNA! Collected an Amber Brick 20 Went And Made A New Dinosaur Created a custom dinosaur 20 Objects In The Mirror Completed Park Shutdown 20 We re Bein Hunted Completed Restoring Power 20 Decided Not To Endorse Your Park Completed The Visitor Centre 20 Do-You-Think-He-Saurus? Sneaked past a Dinosaur using Camoflauge 10 The Park Is Open Completed Welcome To Jurassic World 20 Full Jurassic World Experience Completed Gyrosphere Valley 20 Are You Following The Dinosaur? Completed Out Of Bounds 20 A New Aloha Completed Under Attack 20 We Need More Teeth Completed Main Street Showdown 20 The Human Piece Of Toast Gave Timmy a shock 10 Hello John! Set both Free Play characters as John Hammond(or variant of him) 10 That s How It All Starts... Completed Isra Sorna 20 Mommy s Very Angry Completed InGen Arrival 20 Don t Go Into The Long Grass Completed The Hunted 20 What About The Others? Completed Communication Centre 20 Just Follow The Screams Completed San Diego 20 Not On InGen s List Completed Landin Site 20 Nobody Move A Muscle Completed The Spinosaurus 20 Reason To Fear Man Defeated 50 Compy Goons 10 Is This How You Make Dinosaurs? Completed Breeding Facility 20 Family Reunion Completed Eric Kirby 20 Going Home Completed The Bird Cage 20 65 Million Bricks In The Making Completed All Story Levels 40 All I Got Was This T-Shirt Created Custom Character 20 Pack Hunter Set both Free Play characters as Raptors 10 Not Machine Compatible Tried to use a hacker terminal as Alan Grant 10 Send The Helicopters Rescued all Workers in Peril 20 Must Go Faster Completed All Races 20 We Want To Be Thrilled Placed a custom Dinosaur in a Paddock 10 Observe And Document Completed All Photographs 20 One Big Pile Of Bricks Collected All Red Bricks 20 What Lysine Contingency? Healed All Dinosaurs 20 Anybody want a Soda? As Dennis Nedry , threw a soda can at another character 10 Clever Goal As a Velociraptor, Scored a goal in the Jurassic World Petting Zoo 10 We re Out Of A Job... Collected all Minikits in any level 20 Something Has Survived Obtained "True Survivor" in any level 20 The Legacy of John Hammond Collected all Amber Bricks 40 Building Brocks Of Life Built a Lego Object using Mr.DNA 10 ...Don t You Mean Extinct? Collected all Minikits in the game 40 The Concept Of Attraction Enabled Stud Magnet Red Brick 10 Spared No Expense Collected 65,000,000 studs 40 Survival Expert Collected "True Survivor" on all levels 40 Next Time It ll Be Flawless Achieved 100% Completion 70
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Home→Map→プラスティダ／Plastida 急げ！新ドメインは早いもの勝ち！ プラスティダ／Plastida エリア１／Area 1 Name Element Drop Items 不気味な触手／Strange Tentacle Lv96 闇／Dark ・不気味な生物片／Weird Creature Cell ・うごめく皮膚／Wriggling Skin ・怪しいエキス／Strange Essence ●デスペランサ／Desperanza 彷徨する不定形／Wandering Life Form Lv80 火／Fire ・ゼリー質の皮膚／Jelly like Skin ・プルプルのヒレ／Slimy Fin ・ゼリービーンズ／Jelly Beans ・ミスリル鉱石／Mithril Ore 吸命クラゲ／ Blood Draining Jelly Lv79 火／Fire ・脈動する皮膚／Pulsing Skin ・吸血する触腕／Blood-Draining Tenracle ・しびれる粉／Paralyzing Powder ●マーメイドイヤー／Marmaid Ears 飛翔する結晶体／Flying Crystal Lv78 闇／Dark ・欠けた結晶片／Cracked Crystal Bit ・鈍く輝く石／Dully Growing Stone ・欠けた結晶コア／Cracked Crystal Core ●マスクドハルプ／One Eye Mask エリア２／Area 2 Name Element Drop Items 不気味な触手／Strange Tentacle Lv96 闇／Dark ・不気味な生物片／Weird Creature Cell ・うごめく皮膚／Wriggling Skin ・怪しいエキス／Strange Essence ●デスペランサ／Desperanza 彷徨する不定形／Wandering Life Form Lv82 火／Fire ・ゼリー質の皮膚／Jelly like Skin ・プルプルのヒレ／Slimy Fin ・ゼリービーンズ／Jelly Beans ・ミスリル鉱石／Mithril Ore 吸命クラゲ／ Blood Draining Jelly Lv81 火／Fire ・脈動する皮膚／Pulsing Skin ・吸血する触腕／Blood-Draining Tenracle ・しびれる粉／Paralyzing Powder ●マーメイドイヤー／Marmaid Ears 飛翔する結晶体／Flying Crystal Lv80 闇／Dark ・欠けた結晶片／Cracked Crystal Bit ・鈍く輝く石／Dully Growing Stone ・欠けた結晶コア／Cracked Crystal Core ●マスクドハルプ／One Eye Mask イミタベート／Imitator Boss 部位破壊３箇所／ 3 Breakable Parts [Easy] 推奨／Recommended Lv93 HP：78,000 EXP：870 ドロップ 全６種／ 6 types of items [Normal] 推奨／Recommended Lv103 HP：780,000 EXP：8,700 ドロップ 全７種／ 7 types of items [Hard] 推奨／Recommended Lv113 HP：1,560,000 EXP：13,050 ドロップ 全７種／ 7 types of items [Lunatic/Nightmare] 推奨／Recommended Lv123 HP：3,900,000、EXP 26,100 ドロップ 全７種＋染色武器／ 7 types of items +Colored Weapon [Ultimate] 推奨／Recommended Lv143 HP：7,800,000 EXP：39,150 ドロップ 全７種＋染色武器／ 7 types of items +Colored Weapon 火／Fire ・模造闇将の鎧片／Fake General s Armor Bit ・砕けた魔大剣／Broken Dark Great sword ・高純度魔結晶／High-Purity Magic Crystal ・模造闇将の兜／Fake General s Helm ●闇将の剣／Dark General s Sword ●闇将の盾／Dark General s Shield ◇イミタベート／Imitator Drop Equipments Crysta Name Category Base ATK/DEF Status デスペランサ／Desperanza 両手剣／ Two-Handed Sword Base ATK：164 (70%) トレード不能／Untradable 闇属性／Dark Element クリティカルダメージ／Critical Damage +4 攻撃MP回復／Attack MP Recovery +3 迷宮／Accuracy -4% DEF -25% マスクドハルプ／One Eye Mask 追加装備／ Additional Gear Base DEF：35 最大HP／MaxHP +20% ATK UP (VIT) マーメイドイヤー／Marmaid Ears 追加装備／ Additional Gear Base DEF：30 水耐性／Water Resistance +20% 最大MP／MaxMP +100 闇将の剣／Dark General s Sword 片手剣／ One-Handed Sword Base ATK：130 (80%) トレード不能／Untradable 闇属性／Dark Element ATK +4% VIT +3% ヘイト／Aggro +20% Guard率／Guard Rate +6% 魔法バリア／Magic Barrier+1000 闇将の盾／Dark General s Shield 盾／Shield Base DEF：20 トレード不能／Untradable Guard率／Guard Rate +14% Guard力／Guard Power +30% 闇耐性／Dark Resistance +10% VIT +2% ヘイト／Aggro +30% ◇イミタベート／Imitator ウェポンクリスタ ／Weapon Crysta ATK +5% 攻撃MP回復／Attack MP Recovery +2 先読み／Anticipate 10%
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Home→イベント／Event→クリスマスイベント／Xmas Event 2017 クリスマスイベント／Xmas Event 2017 Official information 日本語／English 反クリスマスの怪物と凍った街 The Monster in the Frozen City ニコラに話しかけてこのクエストを選択するとスタート。 Talk to Nicola and choose this quest to start. マップの難易度選択(選択による報酬変化はありません) Select difficulty of map(No difference in reward that your choice.) バフォメラ Lv90と戦闘(勝てないようになってる) Fight with Baphomela Lv90 (Can t win event battle) ウィテカ燎原へ行く Go to Witeka Scorched Plains. アイテム収集／Collect items 燃える液体／Burning Liquid x10 ┗サワラン、レッドゼリー(焦熱の峰辺)／ Savaran and Red Jelly at “Fiery Volcano” ※収集後のウィテカ燎原での会話イベント終了後、ナビダの欠片に飛ばされます。 ※Teleport automatically to Navida Relics after convention with NPC at Witeka Scorched Plains. ナビダの街へ行き、クリスマス騎士たちを救出。(東部と西部に居ます) Rescue Xmas knights at Navida City. (They are at East and West of city) 精霊の盾と反撃のクリスマス騎士団(ステップ1) The Shield of Spirit and Xmas Knights(Step 1) 難易度／ Difficulty 収集アイテム／ Item collect 入手元／Source 報酬／Reward Lv70 澄んだ水／ Clear Water x10 ヴァターロア／Voda Roar━ルタロス穿孔／Lutaros Cavern スノークッキー／Snow Cookie x1 Lv90 魔力を帯びた枝／ Magic Charged Branch x15 ジージ／Granp, バーバ／Granny━不帰の奈落／Abyss of No Return スノークッキー／Snow Cookie x2 Lv110 雪の結晶／ Snow Crystal x5 フロストン／Frosty━ソルフィニ山岳要塞／Fort Solfini(Lv70-90) フラッペン／Finpen━ナビダの街／Navida City スノークッキー／Snow Cookie x4 ※このクエストを受注している時は、ナビダの街に入る事ができません。フラッペンで雪の結晶を集める場合は、前段階のクエストでナビダの街に入場した時か、この一連のクエストが終わってから集める事をおすすめします。 ※You can t enter to Navida City when you are doing this quest. I recommend collect Snow Crystal when you are doing "The Monster in Frozen City" or after finish those quests. ナビダの欠片に居るテナートに報告する。 Report to Tenert at Navida Relics.
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ATTO TERZO ORFEO Scorto da te, mio Nume Speranza, unico bene Degli afflitti mortali, omai son giunto A questi mesti e tenebrosi regni Ove raggio di sol giammai non giunse. Tu, mia compagna e duce, In così strane e sconosciute vie Reggesti il passo debole e tremante, Ond oggi ancora spero Di riveder quelle beate luci Che sol a gl occhi miei portan il giorno. SPERANZA Ecco l atra palude, ecco il nocchiero Che trae l ignudi spirti a l altra riva, Dove ha Pluton de l ombre il vasto impero. Oltre quel nero stagn , oltre quel fiume, In quei campi di pianto e di dolore, Destin crudele ogni tuo ben t asconde. Or d uopo è d un gran core e d un bel canto. Io fin qui t ho condotto, or più non lice Teco venir, ch amara legge il vieta, Legge iscritta col ferro in duro sasso De l ima reggia in su l orribil soglia, Che in queste note il fiero senso esprime "Lasciate ogni speranza, voi ch entrate." Dunque, se stabilito hai pur nel core Di porre il piè nella citta dolente, Da te men fuggo e torno A l usato soggiorno. ORFEO Dove, ah, dove ten vai, Unico del mio cor dolce conforto? Poiché non lunge omai Del mio lungo cammin si scopr iI porto? Perché ti parti e m abbandoni, ahi, lasso, Sul periglioso passo? Qual bene or più m avanza Se fuggi tu, dolcissima Speranza? CARONTE O tu ch innanzi morte a queste rive Temerario ten vieni, arresta i passi; Solcar quest onde ad uom mortal non dassi, Né può co morti albergo aver chi vive. Che? vuoi forse, nemico al mio Signore, Cerbero trar da le tartaree porte? O rapir brami sua cara consorte, D impudico desire acceso il core? Pon freno al folle ardir, ch entr al mio legno Non accorrò più mai corporea salma Sì degli antichi oltraggi ancor ne l alma Serbo acerba memoria e giusto sdegno. Sinfonia ORFEO Possente spirto, e formidabil nume, Senza cui far passaggio a l altra riva Alma da corpo sciolta invan presume, Non vivo io, no, che poi di vita è priva Mia cara sposa, il cor non è più meco, E senza cor com esser può ch io viva? A lei volt ho il cammin per l aer cieco, A l inferno non già, ch ovunque stassi Tanta bellezza il paradiso ha seco. Orfeo son io, che d Euridice i passi Segue per queste tenebrose arene, Ove già mai per uom mortal non vassi. O de le luci mie luci serene, S un vostro sguardo può tornarmi in vita, Ahi, chi niega il conforto a le mie pene? Sol tu, nobile Dio, puoi darmi aita, Né temer dei, ché sopra un aurea cetra Sol di corde soavi armo le dita Contra cui rigida alma invan s impetra. CARONTE Ben mi lusinga alquanto Dilettandomi il core, Sconsolato cantore, Il tuo pianto e l tuo canto. Ma lunge, ah, lunge sia da questo petto Pietà, di mio valor non degno affetto. ORFEO Ahi, sventurato amante, Sperar dunque non lice Ch odan miei prieghi i cittadin d Averno? Onde, qual ombra errante D insepolto cadavero e infelice, Privo sarò del Cielo e dell Inferno? Così vuol empia sorte Ch in quest orror di morte Da te, cor mio, lontano, Chiami tuo nome invano, E pregando e piangendo io mi consumi. Rendetemi il mio ben, tartarei Numi! Sinfonia Ei dorme, e la mia cetra, Se pietà non impetra Ne l indurato core, almen il sonno Fuggir al mio cantar gl ocehi non ponno. So, dunque, a che più tardo? Tempo è ben d approdar su l altra sponda, S alcun non è ch il nieghi, Vaglia l ardir se saran van i prieghi. È vago fior del tempo L occasion ch esser dee colta a tempo. Qui entra nella barca e passa cantando al suono dell organo di legno. Mentre versan quest occhi amari fiumi, Rendetemi il mio ben, tartarei Numi! Sinfonia CORO di SPIRITI Nulla impresa per uom si tenta invano, Né contro a lui più sa Natura armarse, Ei de l instabil piano Arò gl ondosi campi e I seme sparse Di sue fatiche, ond aurea messe accolse. Quinci, perché memoria Vivesse di sua gloria, La Fama a dir di lui sua lingua sciolse, Ch ei pose freno al mar con fragil legno, Che sprezzò d Austro e d Aquilon lo sdegno. Sinfonia ATTO TERZO ORFEO Scorto da te, mio Nume Speranza, unico bene Degli afflitti mortali, omai son giunto A questi mesti e tenebrosi regni Ove raggio di sol giammai non giunse. Tu, mia compagna e duce, In così strane e sconosciute vie Reggesti il passo debole e tremante, Ond oggi ancora spero Di riveder quelle beate luci Che sol a gl occhi miei portan il giorno. SPERANZA Ecco l atra palude, ecco il nocchiero Che trae l ignudi spirti a l altra riva, Dove ha Pluton de l ombre il vasto impero. Oltre quel nero stagn , oltre quel fiume, In quei campi di pianto e di dolore, Destin crudele ogni tuo ben t asconde. Or d uopo è d un gran core e d un bel canto. Io fin qui t ho condotto, or più non lice Teco venir, ch amara legge il vieta, Legge iscritta col ferro in duro sasso De l ima reggia in su l orribil soglia, Che in queste note il fiero senso esprime "Lasciate ogni speranza, voi ch entrate." Dunque, se stabilito hai pur nel core Di porre il piè nella citta dolente, Da te men fuggo e torno A l usato soggiorno. ORFEO Dove, ah, dove ten vai, Unico del mio cor dolce conforto? Poiché non lunge omai Del mio lungo cammin si scopr iI porto? Perché ti parti e m abbandoni, ahi, lasso, Sul periglioso passo? Qual bene or più m avanza Se fuggi tu, dolcissima Speranza? CARONTE O tu ch innanzi morte a queste rive Temerario ten vieni, arresta i passi; Solcar quest onde ad uom mortal non dassi, Né può co morti albergo aver chi vive. Che? vuoi forse, nemico al mio Signore, Cerbero trar da le tartaree porte? O rapir brami sua cara consorte, D impudico desire acceso il core? Pon freno al folle ardir, ch entr al mio legno Non accorrò più mai corporea salma Sì degli antichi oltraggi ancor ne l alma Serbo acerba memoria e giusto sdegno. Sinfonia ORFEO Possente spirto, e formidabil nume, Senza cui far passaggio a l altra riva Alma da corpo sciolta invan presume, Non vivo io, no, che poi di vita è priva Mia cara sposa, il cor non è più meco, E senza cor com esser può ch io viva? A lei volt ho il cammin per l aer cieco, A l inferno non già, ch ovunque stassi Tanta bellezza il paradiso ha seco. Orfeo son io, che d Euridice i passi Segue per queste tenebrose arene, Ove già mai per uom mortal non vassi. O de le luci mie luci serene, S un vostro sguardo può tornarmi in vita, Ahi, chi niega il conforto a le mie pene? Sol tu, nobile Dio, puoi darmi aita, Né temer dei, ché sopra un aurea cetra Sol di corde soavi armo le dita Contra cui rigida alma invan s impetra. CARONTE Ben mi lusinga alquanto Dilettandomi il core, Sconsolato cantore, Il tuo pianto e l tuo canto. Ma lunge, ah, lunge sia da questo petto Pietà, di mio valor non degno affetto. ORFEO Ahi, sventurato amante, Sperar dunque non lice Ch odan miei prieghi i cittadin d Averno? Onde, qual ombra errante D insepolto cadavero e infelice, Privo sarò del Cielo e dell Inferno? Così vuol empia sorte Ch in quest orror di morte Da te, cor mio, lontano, Chiami tuo nome invano, E pregando e piangendo io mi consumi. Rendetemi il mio ben, tartarei Numi! Sinfonia Ei dorme, e la mia cetra, Se pietà non impetra Ne l indurato core, almen il sonno Fuggir al mio cantar gl ocehi non ponno. So, dunque, a che più tardo? Tempo è ben d approdar su l altra sponda, S alcun non è ch il nieghi, Vaglia l ardir se saran van i prieghi. È vago fior del tempo L occasion ch esser dee colta a tempo. Qui entra nella barca e passa cantando al suono dell organo di legno. Mentre versan quest occhi amari fiumi, Rendetemi il mio ben, tartarei Numi! Sinfonia CORO di SPIRITI Nulla impresa per uom si tenta invano, Né contro a lui più sa Natura armarse, Ei de l instabil piano Arò gl ondosi campi e I seme sparse Di sue fatiche, ond aurea messe accolse. Quinci, perché memoria Vivesse di sua gloria, La Fama a dir di lui sua lingua sciolse, Ch ei pose freno al mar con fragil legno, Che sprezzò d Austro e d Aquilon lo sdegno. Sinfonia Monteverdi,Claudio/L Orfeo/IV